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- “Gabriellas sång” by Brahms?
- Rachmaninoff’s Paganini Rhapsody and the treasures in the Library of Congress
- No end to Rachmaninoff in sight: several annotations to opp. 3 and 16
- Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
- On the first version of Verdi’s string quartet – interview with Anselm Gerhard
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Author Archives: Annette Oppermann
The lord of the low tones – Tobias Glöckler in conversation about Dragonetti’s “Famous Solo”
The double bass entered the Henle publishers’ catalogue a few … Continue reading
Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext
Tagged Dittersdorf, Double bass, Dragonetti, Famous solo, Hoffmeister, orchestral tuning, Saint-Saëns, solo tuning, Tobias Glöckler, urtext, Viennese tuning
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Why facsimiles, actually?
The blue Urtext editions certainly amount to the lion’s share … Continue reading
Posted in autograph, facsimile, G. Henle Publishers, Monday Postings, notation, Schubert, Franz, Violin Sonata op. 137 (Schubert)
Tagged autograph, Beethoven, Brahms, Chopin, Debussy, facsimile, Liszt, Mozart, Schubert, Schumann
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High time for the low register – the double bass conquers the Henle catalogue
The strings, together with the main instrument, piano, have all … Continue reading
Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), G. Henle Publishers, Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext
Tagged Dittersdorf, Double bass, Dragonetti, Hoffmeister
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“Adelaide” – a song goes round the world
The German art song does indeed famously enjoy great popularity, … Continue reading
Posted in Adelaide op. 46 (Beethoven), Beethoven, Ludwig van, Monday Postings, piano + voice
Tagged Adelaide, Beethoven, song, translation
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Totally, seriously – clearing it out is part of it!
Any of you who not only had a hearty laugh … Continue reading
Posted in autograph, Clarinet Sonata op. 107 (Reger), Monday Postings, notation, piano + clarinet, Reger, Max
Tagged Reger, urtext
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What’s the shelf life of Urtext? Revising at Henle publishers
When you look carefully at our recent publications you’ll also … Continue reading
Posted in Ballades (Chopin), Beethoven, Ludwig van, Brahms, Johannes, Chopin, Frédéric, G. Henle Publishers, Grand Fugue op. 134 (Beethoven), Monday Postings, Mozart, Wolfgang Amadeus, new source, revision, Schumann, Robert, Toccata op. 7 (Schumann), Urtext
Tagged Beethoven, Brahms, Chopin, Mozart, revision, Schumann
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“Rock” or “stone”? Schumann’s text changes in “Liederkreis” op. 39 on poems by Joseph von Eichendorff
You know the Lorelei? You know that from the high … Continue reading
The “Creation” starting from scratch: Joseph Haydn’s sketches in the Complete Edition
It is probably well enough known that in the G. … Continue reading
Posted in chorus + orchestra, Creation (Haydn), genesis, Haydn, Joseph, Monday Postings, sketches
Tagged Complete Edition, Creation, facsimile, genesis, Haydn, sketch
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So, how much bass do you want? Beethoven’s Sextet Op. 81b
Wouldn’t you wonder, too, if you saw a sextet on … Continue reading
How much verbal text can music tolerate?
A serious scholarly book publication can be recognized by the … Continue reading →