Category Archives: Bach, Johann Sebastian

‘Servant of two masters’ – when the editor is caught between two composers

Posted on April 14, 2014 by Dominik Rahmer

The basic idea behind an Urtext edition is well known; … Continue reading →

Posted in arrangement, Bach, Johann Sebastian, Busoni, Ferruccio, Isoldens Liebestod from "Tristan und Isolde" (Wagner/Liszt), Liszt, Franz, Monday Postings, Partita BWV 1004 (J.S. Bach), piano solo, transcription, Urtext | Tagged , , , , | Leave a comment

Deluxe for the continuo group

Posted on February 17, 2014 by Norbert Müllemann

What music do continuo players play from? This question might … Continue reading →

Posted in Bach, Johann Sebastian, Monday Postings, notation, Urtext | Tagged , , , | 2 Comments

Christmas Blog

Posted on December 23, 2013 by publisher

Dear Reader, we most warmly thank you today for your … Continue reading →

Posted in Bach, Johann Sebastian, chorus + orchestra, General, Nikolaus Harnoncourt | Tagged , , | 1 Comment

Commenting on a decisecond Bach – B or B flat in the B-flat major ‘Corrente’ BWV 825

Posted on May 13, 2013 by Wolf-Dieter Seiffert

A short time ago our attention was drawn to a … Continue reading →

Posted in András Schiff, Bach, Johann Sebastian, Claudio Arrau, Monday Postings, Partita BWV 825 (J.S. Bach), piano solo, variant reading | Tagged , | Leave a comment

On the lookout for the lost measure: Bach’s C-major Prelude from the Well-Tempered Clavier I

Posted on April 16, 2012 by Norbert Müllemann

Those in the know among our readers will be aware … Continue reading →

Posted in autograph, Bach, Johann Sebastian, copy, Monday Postings, piano solo, Urtext, Well-Tempered Clavier (J.S. Bach) | Tagged , , , | 22 Comments