Category Archives: Mozart, Wolfgang Amadeus

B(e) sharp – what would you play in Mozart’s piano variations K. 265?

Posted on July 17, 2017 by Dominik Rahmer

Mozart over and over again: In the last blog two … Continue reading →

Posted in autograph, first edition, Monday Postings, Mozart, Wolfgang Amadeus, piano solo | Tagged , , , | 2 Comments

Non-stop “lombardic” rhythm? On a minute text problem in Mozart’s d-minor String Quartet K. 421

Posted on July 3, 2017 by Wolf-Dieter Seiffert

The exceptionally lighthearted D-major Trio of the Menuetto in Mozart’s … Continue reading →

Posted in Jerusalem String Quartet, Juilliard Quartet, Monday Postings, Mozart, Wolfgang Amadeus, rhythm, string quartet, String Quartet K. 421 (W.A. Mozart) | Tagged , , | 5 Comments

The charm of the unsettling. A special autograph correction of Mozart’s in the finale of the F-major string quartet K. 590

Posted on September 19, 2016 by Wolf-Dieter Seiffert

Mozart connoisseurs and admirers know of course about what is … Continue reading →

Posted in articulation, F-major string quartet K. 590, Monday Postings, Mozart, Wolfgang Amadeus, string quartet | Tagged , , , | 2 Comments

Further new findings on the autograph of Mozart’s Piano Sonata in A major K. 331

Posted on October 26, 2015 by Wolf-Dieter Seiffert

Regular readers of the Henle blog will recollect: My last … Continue reading →

Posted in autograph, General, Monday Postings, Mozart, Wolfgang Amadeus, notation, piano solo, Piano Sonata K. 331 (W.A. Mozart) | Tagged , , | Leave a comment

The music world will sit up and take notice! On the new Urtext edition of Mozart’s Piano Sonata in A Major KV 331

Posted on May 25, 2015 by Wolf-Dieter Seiffert

You presumably know Mozart’s A-major Piano Sonata KV 331 (with … Continue reading →

Posted in autograph, Monday Postings, Mozart, Wolfgang Amadeus, new source, piano solo, Piano Sonata K. 331 (W.A. Mozart), revision, Urtext | Tagged , , | 8 Comments

On a terribly wrong dynamic marking in the first movement of K. 499

Posted on March 30, 2015 by Wolf-Dieter Seiffert

In my last blog posting I reported on my current, … Continue reading →

Posted in autograph, dynamics, first edition, Hagen-Quartet, Monday Postings, Mozart, Wolfgang Amadeus, string quartet, String Quartet K. 499 (W.A. Mozart) | Tagged , , | Leave a comment

“It’s all so wonderful!” On the new edition of Mozart’s string quartets

Posted on December 8, 2014 by Wolf-Dieter Seiffert

A few weeks ago I began editorial work on a … Continue reading →

Posted in Alban Berg Quartet, dynamics, G. Henle Publishers, Monday Postings, Mozart, Wolfgang Amadeus, string quartet, String Quartet K. 589 (W.A. Mozart) | Tagged , | 2 Comments

A “new” Mozart work. On the c-minor “Fantasy” (K. 396/385f) in its original setting for violin and piano

Posted on June 9, 2014 by Wolf-Dieter Seiffert

In the year 1821 three distinguished personalities met in Weimar: … Continue reading →

Posted in autograph, Fantasy K. 396(385f) (W.A. Mozart), Monday Postings, Mozart, Wolfgang Amadeus, Noah Bendix-Balgley, piano + violin, Robert D. Levin | Tagged , , , | Leave a comment

A forgery? And if so, by whom? On the closing bars in Mozart’s Wind Quintet K. 452

Posted on September 30, 2013 by Wolf-Dieter Seiffert

The autograph of Mozart’s piano quintet for piano and four … Continue reading →

Posted in autograph, Monday Postings, Mozart, Wolfgang Amadeus, notation, versions, Wind Quintet K. 452 (W.A. Mozart) | Tagged , | 3 Comments

What’s the shelf life of Urtext? Revising at Henle publishers

Posted on October 15, 2012 by Annette Oppermann

When you look carefully at our recent publications you’ll also … Continue reading →

Posted in Ballades (Chopin), Beethoven, Ludwig van, Brahms, Johannes, Chopin, Frédéric, G. Henle Publishers, Grand Fugue op. 134 (Beethoven), Monday Postings, Mozart, Wolfgang Amadeus, new source, revision, Schumann, Robert, Toccata op. 7 (Schumann), Urtext | Tagged , , , , , | Leave a comment