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- “Gabriellas sång” by Brahms?
- Rachmaninoff’s Paganini Rhapsody and the treasures in the Library of Congress
- No end to Rachmaninoff in sight: several annotations to opp. 3 and 16
- Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
- On the first version of Verdi’s string quartet – interview with Anselm Gerhard
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Category Archives: Composers
The agony of choice – lieder by Richard Strauss
Incredible, but true: unannounced so far in this blog is … Continue reading
“…probably the best of Dvořák that I’m acquainted with.” What’s worth knowing about the Wind Serenade in d minor op. 44
Even though recently the focus of attention owing to their … Continue reading
Schubert’s Wanderer Fantasy and the challenges of an Urtext edition
In the already more than 70 years since the founding … Continue reading
Attempt at re-dating Mozart’s three popular “Quartet-Divertimenti”, K. 136–138
In conjunction with my Urtextausgabe of the well-known and much-played … Continue reading
Bach’s harpsichord concertos and their autograph
If you’re looking for a simple answer to the question … Continue reading
‘Finished in Vysoká at a nice little hour’– new finds in Dvořák’s A-major piano quintet op. 81
The piano quintet is, so to speak, in the “super … Continue reading
“Bozen this pigsty”. Why there’s no “Bozen string quartet” by Mozart.
When for the third and last time at the end … Continue reading
Posted in autograph, Monday Postings, Mozart, Wolfgang Amadeus, string quartet
Tagged K. 155-160, Mozart
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A fresh look at Bach’s piano partitas
Many readers (and pianists!) will already have noticed that we … Continue reading
Posted in Bach, Johann Sebastian, Monday Postings, piano solo, revision, Six Partitas BWV 825-830 (J.S. Bach)
Tagged Bach, partitas, revision
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Camille Saint-Saëns – a portrait for the 100th anniversary of his death
Whereas in 2020 the music world’s focus was on Beethoven’s … Continue reading