Search
-
Recent Posts
- “Gabriellas sång” by Brahms?
- Rachmaninoff’s Paganini Rhapsody and the treasures in the Library of Congress
- No end to Rachmaninoff in sight: several annotations to opp. 3 and 16
- Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
- On the first version of Verdi’s string quartet – interview with Anselm Gerhard
Tags
accidentals arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Complete Edition Debussy Double bass Dvorak Fauré first edition Haydn Hoffmeister horn instrumentation Liszt Mendelssohn Mozart notation piano piano sonata Piano Sonatas Rachmaninoff Ravel revision Saint-Saëns Schubert Schumann Scriabin Sonata string quartet trombone urtext variants variations versions viola Violin Sonata Wagner
Category Archives: Ravel, Maurice
France sets the tone – new Urtext editions in the “blue jersey”
It isn’t only with the European Football Championship 2016 that … Continue reading
At what tempo does Ravel’s Pavane “die”?
During my assistantship this past year as Henlean, I was … Continue reading
Posted in first edition, Monday Postings, Pavane (Ravel), piano solo, Ravel, Maurice, tempo
Tagged Pavane, Ravel, Tempo
1 Comment
D or C♯? What does Ravel want the violinist to play in “Tzigane”?
Maurice Ravel’s concert rhapsody “Tzigane” is known to exist in … Continue reading
Posted in autograph, Chantal Juillet, Monday Postings, Pascal Rogé, piano + violin, Ravel, Maurice, variant reading
Tagged "Tzigane", HN 587, Ravel, urtext, variants, violin
2 Comments
Curiosity pays off. The genesis of Maurice Ravel’s piano ‘Sonatine’
In 2011 when I began preparing a new edition of … Continue reading
Posted in genesis, Monday Postings, piano solo, Piano Sonatina (Ravel), Ravel, Maurice
Tagged Calvocoressi, competition, genesis, Ravel, Sonatina
1 Comment