Search
-
Recent Posts
- “Gabriellas sång” by Brahms?
- Rachmaninoff’s Paganini Rhapsody and the treasures in the Library of Congress
- No end to Rachmaninoff in sight: several annotations to opp. 3 and 16
- Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
- On the first version of Verdi’s string quartet – interview with Anselm Gerhard
Tags
accidentals arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Complete Edition Debussy Double bass Dvorak Fauré first edition Haydn Hoffmeister horn instrumentation Liszt Mendelssohn Mozart notation piano piano sonata Piano Sonatas Rachmaninoff Ravel revision Saint-Saëns Schubert Schumann Scriabin Sonata string quartet trombone urtext variants variations versions viola Violin Sonata Wagner
Category Archives: Saint-Saëns, Camille
How do fossils behave? On a passage in Saint-Saëns’ Carnaval des animaux
When a composer decides against publishing one of his works … Continue reading
Camille Saint-Saëns – a portrait for the 100th anniversary of his death
Whereas in 2020 the music world’s focus was on Beethoven’s … Continue reading
What did the composer want? On a strange measure in Saint-Saëns’ Romance for Flute op. 37
Anyone who compares the edition currently on the market of … Continue reading
Posted in Monday Postings, op. 37 (Saint-Saëns), piano + flute, Romance, Saint-Saëns, Camille, versions
Tagged Romance op. 37, Saint-Saëns
Leave a comment
Don’t miss a beat! The first movement of Saint-Saëns’ 2nd piano concerto
As editors we are occasionally confronted with questions that at … Continue reading
France sets the tone – new Urtext editions in the “blue jersey”
It isn’t only with the European Football Championship 2016 that … Continue reading
A “bad apple” in Camille Saint-Saëns’ 2nd cello sonata?
Saint-Saëns was likely far from the “genius thinking” of romanticism. … Continue reading
Christmas Blog
Dear Reader, we most warmly thank you for your interest … Continue reading
Posted in Monday Postings, Saint-Saëns, Camille
Tagged Oratorio de Noël, Saint-Saëns
Leave a comment