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- “Gabriellas sång” by Brahms?
- Rachmaninoff’s Paganini Rhapsody and the treasures in the Library of Congress
- No end to Rachmaninoff in sight: several annotations to opp. 3 and 16
- Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
- On the first version of Verdi’s string quartet – interview with Anselm Gerhard
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Category Archives: Schubert, Franz
G sharp or G? About a bass trill in Schubert’s A-flat-major Impromptu D 935, No. 2
Franz Schubert‘s piano music is almost an infinitely magical wonderland. … Continue reading
Posted in harmonics, piano solo, Schubert, Franz, variant reading
Tagged A-flat-major Impromptu D 935, trill
3 Comments
Schubert’s Wanderer Fantasy and the challenges of an Urtext edition
In the already more than 70 years since the founding … Continue reading
Schubert on a Bach trip? A call for help regarding the Arpeggione theme
The Henle blogging community will, we hope, not be disappointed … Continue reading
The many footnotes of Rosamunde
All good things come in threes – this is also … Continue reading
The Trill of Doom – The pianist András Schiff’s revelatory study of Schubert’s final sonata
By guest author Alex Ross[1] “What other work is so … Continue reading
Does it work or doesn’t it? About page turns in the music
Haven’t you, too, sometimes wondered in a concert why the … Continue reading
Posted in Bach, Johann Sebastian, Monday Postings, Reger, Max, Schubert, Franz
Tagged fold out, page turns
2 Comments
The accent question in Schubert: An old theme with new variations
Anyone working with Schubert’s autographs inevitably runs up sooner or … Continue reading
Posted in accent, Monday Postings, notation, Octet D 803 (Schubert), Schubert, Franz
Tagged accent, An die ferne Geliebte, An die Geliebte, Beethoven, D 803, decrescendo, HN 562, HN 9562, Octet, Op. 98, Schubert, WoO 140
2 Comments
Why facsimiles, actually?
The blue Urtext editions certainly amount to the lion’s share … Continue reading
Posted in autograph, facsimile, G. Henle Publishers, Monday Postings, notation, Schubert, Franz, Violin Sonata op. 137 (Schubert)
Tagged autograph, Beethoven, Brahms, Chopin, Debussy, facsimile, Liszt, Mozart, Schubert, Schumann
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Schubert deletes, Brahms restores. On the first of the three posthumous piano pieces (Impromptus) D 946 by Franz Schubert
Schubert did not live to see the publication of his … Continue reading
Setting, version, arrangement – how far may Urtext go?
It is part and parcel of the idea of a … Continue reading