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- “Gabriellas sång” by Brahms?
- Rachmaninoff’s Paganini Rhapsody and the treasures in the Library of Congress
- No end to Rachmaninoff in sight: several annotations to opp. 3 and 16
- Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
- On the first version of Verdi’s string quartet – interview with Anselm Gerhard
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Category Archives: Monday Postings
The première of Sergei Rachmaninoff’s Second Piano Sonata op. 36
Moscow, St. Petersburg, Rostov-on-Don, Saratov, Smolensk, Voronezh – what do … Continue reading
The “Picardy” major third in Chopin’s incredibly sad c-sharp minor Nocturne
What a liberating, even redemptive impact that the unexpected major … Continue reading
Posted in autograph, Chopin, Frédéric, copy, Monday Postings, piano solo
Tagged Chopin; Nocturne in c sharp minor
3 Comments
Debussy in Urtext – Part 3: Debussy’s recordings of his piano music
Editors of Urtext editions have added a new medium as … Continue reading
Confusion about Chopin’s Scherzi – episode 4
At the beginning of the year I reported on my … Continue reading
Posted in Chopin, Frédéric, Monday Postings, Scherzo op. 54, Sources, versions
Tagged Chopin, Scherzo
1 Comment
La Vega – The fertile plain: Isaac Albeniz’s homage to Granada and the foothills of the Sierra Nevada
A few weeks ago my colleague Peter Jost reported here … Continue reading
Debussy in Urtext – Part 2: Unclear harmony in the piano piece “Nocturne”
One of the outstanding quality features of the Henle Editions … Continue reading
Posted in Debussy, Claude, Monday Postings, Nocturne (Debussy), Urtext
Tagged Debussy, urtext
1 Comment
Talking Henle Editions: A Carnival Story
The seasons are moving on and the year’s fifth season … Continue reading
Debussy in Urtext – Part 1: Henle Editions from an experienced duo
2012 was the 150th birthday of Claude Debussy, French music’s … Continue reading