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- “Gabriellas sång” by Brahms?
- Rachmaninoff’s Paganini Rhapsody and the treasures in the Library of Congress
- No end to Rachmaninoff in sight: several annotations to opp. 3 and 16
- Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
- On the first version of Verdi’s string quartet – interview with Anselm Gerhard
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Category Archives: Monday Postings
The Henle Library App is one year old – that’s a whole year of digital Urtext!
On 3 February 2016 – on the 117th birthday of … Continue reading
Posted in Android, App, Cloud, Digital, Henle Library, iOS, Monday Postings, Tablet
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Urtext from A to Z! What you’ll want to know about our new edition of Alexander Zemlinsky’s Clarinet Trio op. 3
With our freshly released Urtext edition of the stunning “Brahmsian” … Continue reading
Christmas Blog
It is not only the Christmas season that comes around … Continue reading
Johann Jacob Froberger on his 400th birthday
Many Urtext enthusiasts will already have noticed in 2014 that … Continue reading
Posted in autograph, Froberger, Johann Jacob, measure numbering, Monday Postings, piano solo, Urtext
Tagged Froberger, Mensurstrich, modern notation
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At full length – finally, an Urtext edition of Tchaikovsky’s unabridged Valse-Scherzo
Tchaikovsky and the violin – surely everyone first thinks here … Continue reading
Posted in arrangement, Monday Postings, piano + violin, Tschaikowsky, Peter, Urtext
Tagged Tschaikowsky, Violine
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Haydn’s complete cello concertos at Henle: 3, 8, 5 or 2?
To the question of how many cello concertos Joseph Haydn … Continue reading
Posted in autograph, copy, first edition, Haydn, Joseph, Monday Postings, Urtext, versions, violoncello
Tagged authenticity, Haydn, Violoncello Concerto
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The “Henle Library” app – looking back, looking forwards
Our “Henle Library” app has now been available to musicians … Continue reading
Posted in Android, App, Digital, Henle Library, Monday Postings
Tagged Android, App, Fingerings, Updates
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The charm of the unsettling. A special autograph correction of Mozart’s in the finale of the F-major string quartet K. 590
Mozart connoisseurs and admirers know of course about what is … Continue reading