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- “Gabriellas sång” by Brahms?
- Rachmaninoff’s Paganini Rhapsody and the treasures in the Library of Congress
- No end to Rachmaninoff in sight: several annotations to opp. 3 and 16
- Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
- On the first version of Verdi’s string quartet – interview with Anselm Gerhard
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Category Archives: Monday Postings
Excess and empty space: Text variants in Dvořák’s Cello Concerto op. 104
Antonín Dvořák’s Cello Concerto op. 104 may be a special … Continue reading
Posted in autograph, copy, Dvořák, Antonín, genesis, Monday Postings
Tagged Cello Concerto op. 104
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Dvořák’s “Gran Partita”? On the presumed model of his Wind Serenade in d minor op. 44
In my last blog post I already reported on our … Continue reading
Ignaz Pleyel – no newcomer to the Henle catalogue
It’s one of the curious twists and turns in music … Continue reading
Posted in Monday Postings
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Summer Break
Summer is vacation time and our blog is also taking … Continue reading
How do fossils behave? On a passage in Saint-Saëns’ Carnaval des animaux
When a composer decides against publishing one of his works … Continue reading
The agony of choice – lieder by Richard Strauss
Incredible, but true: unannounced so far in this blog is … Continue reading
“…probably the best of Dvořák that I’m acquainted with.” What’s worth knowing about the Wind Serenade in d minor op. 44
Even though recently the focus of attention owing to their … Continue reading
Schubert’s Wanderer Fantasy and the challenges of an Urtext edition
In the already more than 70 years since the founding … Continue reading
“My fingering may inspire to play in the right style” – Interview with Pascal Rogé
To celebrate the French pianist Pascal Rogé’s 70th birthday on … Continue reading
‘Finished in Vysoká at a nice little hour’– new finds in Dvořák’s A-major piano quintet op. 81
The piano quintet is, so to speak, in the “super … Continue reading