Search
-
Recent Posts
- “Gabriellas sång” by Brahms?
- Rachmaninoff’s Paganini Rhapsody and the treasures in the Library of Congress
- No end to Rachmaninoff in sight: several annotations to opp. 3 and 16
- Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
- On the first version of Verdi’s string quartet – interview with Anselm Gerhard
Tags
accidentals arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Complete Edition Debussy Double bass Dvorak Fauré first edition Haydn Hoffmeister horn instrumentation Liszt Mendelssohn Mozart notation piano piano sonata Piano Sonatas Rachmaninoff Ravel revision Saint-Saëns Schubert Schumann Scriabin Sonata string quartet trombone urtext variants variations versions viola Violin Sonata Wagner
Category Archives: autograph
On the first version of Verdi’s string quartet – interview with Anselm Gerhard
Our recently published new edition of Giuseppe Verdi’s String Quartet … Continue reading
Posted in autograph, first edition, Monday Postings, string quartet, Verdi, Giuseppe, versions
Tagged interview
Leave a comment
Labyrinthine paths: in search of Janáček’s Urtext
No, the title is not a typo. The recently published … Continue reading
Posted in autograph, Janácek, Leos, Monday Postings, piano solo, proof copy, revision
Tagged Janáček, On an Overgrown Path, revision
Leave a comment
If that’s not reason enough to celebrate: 300 years of WTC I!
2022 seems to be particularly rich in musical anniversaries: Even … Continue reading
An annoying mini-error in Mozart’s Violin Concerto K. 219
Recently, David Perry, a Canadian violinist, criticised what he considered … Continue reading
Posted in autograph, Monday Postings, Mozart, Wolfgang Amadeus, notation, revision, violin + orchestra
Tagged Mozart, revision, Violin Concerto
4 Comments
Excess and empty space: Text variants in Dvořák’s Cello Concerto op. 104
Antonín Dvořák’s Cello Concerto op. 104 may be a special … Continue reading
Posted in autograph, copy, Dvořák, Antonín, genesis, Monday Postings
Tagged Cello Concerto op. 104
1 Comment
“…probably the best of Dvořák that I’m acquainted with.” What’s worth knowing about the Wind Serenade in d minor op. 44
Even though recently the focus of attention owing to their … Continue reading
‘Finished in Vysoká at a nice little hour’– new finds in Dvořák’s A-major piano quintet op. 81
The piano quintet is, so to speak, in the “super … Continue reading
“Bozen this pigsty”. Why there’s no “Bozen string quartet” by Mozart.
When for the third and last time at the end … Continue reading
Posted in autograph, Monday Postings, Mozart, Wolfgang Amadeus, string quartet
Tagged K. 155-160, Mozart
Leave a comment