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Better late than never: Leoš Janáček at Henle publishers

Posted on March 2, 2015 by Annette Oppermann

It is always a special moment whenever a new name … Continue reading →

Posted in autograph, copy, first edition, G. Henle Publishers, Janácek, Leos, Mládí (Janácek), Monday Postings, winds | Tagged Janáček, Jiří Zahrádka, Universal Edition Wien, wind suite | Leave a comment

On the lookout for the lost measure: Bach’s C-major Prelude from the Well-Tempered Clavier I

Posted on April 16, 2012 by Norbert Müllemann

Those in the know among our readers will be aware … Continue reading →

Posted in autograph, Bach, Johann Sebastian, copy, Monday Postings, piano solo, Urtext, Well-Tempered Clavier (J.S. Bach) | Tagged Bach, Gounod, Schwencke, Well-Tempered Clavier | 22 Comments

Sometimes you have to dig deeper! Or: What the violist should really play in Hoffmeister’s concerto.

Posted on January 9, 2012 by Norbert Gertsch

Most violists groan whenever the names Hoffmeister and Stamitz are … Continue reading →

Posted in articulation, copy, dynamics, Hoffmeister, Franz Anton, Monday Postings, piano + viola, Urtext, versions, Viola Concerto (Hoffmeister) | Tagged concerto, Hoffmeister, variants, viola | 2 Comments
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    • No end to Rachmaninoff in sight: several annotations to opp. 3 and 16
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