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- “Gabriellas sång” by Brahms?
- Rachmaninoff’s Paganini Rhapsody and the treasures in the Library of Congress
- No end to Rachmaninoff in sight: several annotations to opp. 3 and 16
- Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
- On the first version of Verdi’s string quartet – interview with Anselm Gerhard
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Category Archives: first edition
The new Catalogue of Works of Ludwig van Beethoven
On 1 November 2014 G. Henle Verlag is publishing a … Continue reading
Franz Xaver comes to Henle: On the 170th anniversary of the death of Franz Xaver Wolfgang Mozart (29 July 2014)
That Henle is a Mozart publisher should not come as … Continue reading
Posted in Andreas Staier, autograph, first edition, Flute Rondo (F.X.W. Mozart), G. Henle Publishers, Monday Postings, Mozart, Franz Xaver Wolfgang, piano + flute, piano solo, Urtext
Tagged anniversary, Diabelli-Variations, Don Giovanni-Minuet, flute rondo, Franz Xaver Wolfgang, Henle, HN 1180, HN 958, HN 959, Karsten Nottelmann, Katalog, Mozart, Polonaises mélancholiques, son, urtext, variations
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Where does the key/clef go? About a problematic passage in Schumann’s F-major string quartet
Fans of the humourist Wilhelm Busch will certainly be reminded … Continue reading
Without words, but with a foreword – what’s new on Sergei Rachmaninoff’s “Vocalise”
Looking at the topics of the by now more than … Continue reading
A wrong ‘D’ goes out into the world – Rachmaninoff’s Prélude in c sharp minor under the magnifying glass
The last blog posting on 6 January has already let … Continue reading
HN 555 – A printing error in CPE Bach’s sonata for solo flute?
These days our latest Urtext product comes from the printer, … Continue reading
“Hark, Hark! The Joy Inspiring Horn” – Discoveries in Schumann’s Konzertstück, Opus 86
For pianists and string players, especially, the name Henle stands … Continue reading
Ossia and Da Capo – Confusion in Schumann’s Papillons, Op. 2
Sometimes a conundrum can’t be solved, even when the source … Continue reading
“Liebestod” revisited – yet more problems in Franz Liszt’s transcription of Wagner
Some time ago we had previously devoted a blog post … Continue reading