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- “Gabriellas sång” by Brahms?
- Rachmaninoff’s Paganini Rhapsody and the treasures in the Library of Congress
- No end to Rachmaninoff in sight: several annotations to opp. 3 and 16
- Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
- On the first version of Verdi’s string quartet – interview with Anselm Gerhard
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Category Archives: Sources
The music world will sit up and take notice! On the new Urtext edition of Mozart’s Piano Sonata in A Major KV 331
You presumably know Mozart’s A-major Piano Sonata KV 331 (with … Continue reading
Is it OK to add them? – The “missing” low notes in Beethoven’s piano sonatas
Here’s a topic that pianists have been discussing since the … Continue reading
Posted in autograph, Beethoven, Ludwig van, first edition, letter, Monday Postings, Murray Perahia, piano solo, Piano Sonata op. 10 nr. 3 (Beethoven), Piano Sonata op. 101 (Beethoven), Piano Sonata op. 106 (Beethoven), Piano Sonata op. 109 (Beethoven), Piano Sonata op. 110 (Beethoven), Piano Sonata op. 111 (Beethoven), Piano Sonata op. 14 nr. 1 (Beethoven), Piano Sonata op. 2 nr. 3 (Beethoven), Piano Sonata op. 31 nr. 2 (Beethoven), Piano Sonata op. 7 (Beethoven), pitch range
Tagged Beethoven, Murray Perahia, piano sonata, Sonata
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On a terribly wrong dynamic marking in the first movement of K. 499
In my last blog posting I reported on my current, … Continue reading
Better late than never: Leoš Janáček at Henle publishers
It is always a special moment whenever a new name … Continue reading
Beethoven’s “Unfinished” (compositions)
Ludwig van Beethoven is one of those composers among the … Continue reading
Spohr and Crusell join the club – new Urtext editions for clarinet
Musicians have long known that not only pianists and string … Continue reading
The new Catalogue of Works of Ludwig van Beethoven
On 1 November 2014 G. Henle Verlag is publishing a … Continue reading
The year of the flute – special new editions in the Henle catalogue
For some time past the G. Henle publishing house has … Continue reading
Composing made easy? On Erik Satie’s ‘Nocturnes’
It was not without good reason that the label ‘outsider’ … Continue reading
Posted in autograph, Monday Postings, Nocturnes (Satie), notation, piano solo, Satie, Erik, variant reading
Tagged harmony, Nocturnes, Orledge, Satie
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