Category Archives: variant reading

D or C♯? What does Ravel want the violinist to play in “Tzigane”?

Posted on February 3, 2014 by Peter Jost

Maurice Ravel’s concert rhapsody “Tzigane” is known to exist in … Continue reading →

Posted in autograph, Chantal Juillet, Monday Postings, Pascal Rogé, piano + violin, Ravel, Maurice, variant reading | Tagged , , , , , | 2 Comments

A wrong ‘D’ goes out into the world – Rachmaninoff’s Prélude in c sharp minor under the magnifying glass

Posted on January 20, 2014 by Dominik Rahmer

The last blog posting on 6 January has already let … Continue reading →

Posted in autograph, first edition, Monday Postings, piano solo, Prélude in c sharp minor (Rachmaninoff), Rachmaninoff, Sergei, variant reading | Tagged , , , | 13 Comments

Ossia and Da Capo – Confusion in Schumann’s Papillons, Op. 2

Posted on September 2, 2013 by Norbert Gertsch

Sometimes a conundrum can’t be solved, even when the source … Continue reading →

Posted in Alfred Cortot, autograph, Claudio Arrau, dynamics, first edition, Jörg Demus, Monday Postings, Papillons op. 2 (Schumann), piano solo, Schumann, Robert, Sviatoslav Richter, variant reading, Wilhelm Kempff | Tagged , , , | Leave a comment

Climax, more or less – e flat or e in Islamey?

Posted on June 10, 2013 by Norbert Gertsch

Mily Balakirev’s showpiece Islamey, already certified, so to speak, as … Continue reading →

Posted in autograph, Balakirev, Milij, first edition, Islamey (Balakirev), Monday Postings, piano solo, variant reading | Tagged , , | Leave a comment

Correction or interpretation? – Johannes and Clara alter Robert’s music

Posted on May 27, 2013 by Peter Jost

Anyone practicing Robert Schumann’s In der Nacht, the fifth number … Continue reading →

Posted in Brahms, Johannes, Fantasy Pieces op. 12 (Schumann), Monday Postings, piano solo, Schumann, Clara, Schumann, Robert, variant reading | Tagged , , | Leave a comment

Commenting on a decisecond Bach – B or B flat in the B-flat major ‘Corrente’ BWV 825

Posted on May 13, 2013 by Wolf-Dieter Seiffert

A short time ago our attention was drawn to a … Continue reading →

Posted in András Schiff, Bach, Johann Sebastian, Claudio Arrau, Monday Postings, Partita BWV 825 (J.S. Bach), piano solo, variant reading | Tagged , | Leave a comment

‘Come sopra’ – clearly ambiguous!

Posted on March 4, 2013 by Norbert Gertsch

The autograph of Beethoven’s piano sonata, Op. 90, is part … Continue reading →

Posted in autograph, Beethoven, Ludwig van, Claudio Arrau, first edition, Monday Postings, notation, piano solo, Piano Sonata op. 90 (Beethoven), variant reading, Wilhelm Kempff | Tagged , , , | Leave a comment

Gratis, but not for nothing – the download of the Lalo cello concerto

Posted on February 18, 2013 by publisher

Whilst browsing through the Henle publishers’ catalogue you may occasionally … Continue reading →

Posted in G. Henle Publishers, Heinrich Schiff, Lalo, Édouard, Monday Postings, piano + violoncello, variant reading, Violoncello Concerto (Lalo) | Tagged , , , , , , | 2 Comments

Will versus Caprice. On the the closing measures of Robert Schumann’s C-major Fantasy op. 17

Posted on August 20, 2012 by Wolf-Dieter Seiffert

What you can see here is the last page of … Continue reading →

Posted in autograph, Fantasy op. 17 (Schumann), Monday Postings, piano solo, Schumann, Robert, variant reading | Tagged , , | 7 Comments

‘Fontana’s version’ – genuine Chopin?

Posted on July 9, 2012 by Norbert Müllemann

A glance at the table of contents in our Urtext … Continue reading →

Posted in Chopin, Frédéric, Monday Postings, piano solo, Urtext, variant reading, versions, Waltzes (Chopin) | Tagged , , | 9 Comments