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- “Gabriellas sång” by Brahms?
- Rachmaninoff’s Paganini Rhapsody and the treasures in the Library of Congress
- No end to Rachmaninoff in sight: several annotations to opp. 3 and 16
- Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
- On the first version of Verdi’s string quartet – interview with Anselm Gerhard
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Category Archives: versions
On the first version of Verdi’s string quartet – interview with Anselm Gerhard
Our recently published new edition of Giuseppe Verdi’s String Quartet … Continue reading
Posted in autograph, first edition, Monday Postings, string quartet, Verdi, Giuseppe, versions
Tagged interview
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Christmas blog
War, energy shortages, inflation – alas, no end to the … Continue reading
Posted in Bach, Johann Sebastian, Gounod, Charles, Monday Postings, piano + voice, versions
Tagged ave maria, Bach, Christmas blog, Gounod
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What did the composer want? On a strange measure in Saint-Saëns’ Romance for Flute op. 37
Anyone who compares the edition currently on the market of … Continue reading
Posted in Monday Postings, op. 37 (Saint-Saëns), piano + flute, Romance, Saint-Saëns, Camille, versions
Tagged Romance op. 37, Saint-Saëns
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Version alert! Or: Did Brahms ever revise his Horn Trio?
A few days ago a customer enquiry momentarily gave me … Continue reading
Posted in Brahms, Johannes, horn, Monday Postings, revision, versions
Tagged Brahms, horn, versions
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Rachmaninoff revises Rachmaninoff. On the two versions of the Second Piano Sonata op. 36
In my last blog posting I went into the genesis … Continue reading
Confusion about Chopin’s Scherzi – episode 4
At the beginning of the year I reported on my … Continue reading
Posted in Chopin, Frédéric, Monday Postings, Scherzo op. 54, Sources, versions
Tagged Chopin, Scherzo
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Haydn’s complete cello concertos at Henle: 3, 8, 5 or 2?
To the question of how many cello concertos Joseph Haydn … Continue reading
Posted in autograph, copy, first edition, Haydn, Joseph, Monday Postings, Urtext, versions, violoncello
Tagged authenticity, Haydn, Violoncello Concerto
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A “bad apple” in Camille Saint-Saëns’ 2nd cello sonata?
Saint-Saëns was likely far from the “genius thinking” of romanticism. … Continue reading
Scarlatti Sonatas, Volume IV – the ultimate choice
Though Domenico Scarlatti (1685–1757) was indeed born the same year … Continue reading