Tag Archives: Brahms

Correction or interpretation? – Johannes and Clara alter Robert’s music

Posted on May 27, 2013 by Peter Jost

Anyone practicing Robert Schumann’s In der Nacht, the fifth number … Continue reading →

Posted in Brahms, Johannes, Fantasy Pieces op. 12 (Schumann), Monday Postings, piano solo, Schumann, Clara, Schumann, Robert, variant reading | Tagged , , | Leave a comment

Brahms’s ‘Hungarian Dances’ – new finds in old sources

Posted on January 21, 2013 by Dominik Rahmer

In 2011 the Brahms researcher Michael Struck made a striking … Continue reading →

Posted in articulation, Brahms, Johannes, Hungarian Dances (Brahms), Monday Postings, notation, piano solo | Tagged , , , | Leave a comment

Setting, version, arrangement – how far may Urtext go?

Posted on October 30, 2012 by Dominik Rahmer

It is part and parcel of the idea of a … Continue reading →

Posted in Adagio and Allegro op. 70 (Schumann), Arpeggione Sonata (Schubert), arrangement, Bach, Carl Philipp Emanuel, Gamba Sonatas (Bach), Monday Postings, Schubert, Franz, Urtext | Tagged , , , , , , , | 2 Comments

What’s the shelf life of Urtext? Revising at Henle publishers

Posted on October 15, 2012 by Annette Oppermann

When you look carefully at our recent publications you’ll also … Continue reading →

Posted in Ballades (Chopin), Beethoven, Ludwig van, Brahms, Johannes, Chopin, Frédéric, G. Henle Publishers, Grand Fugue op. 134 (Beethoven), Monday Postings, Mozart, Wolfgang Amadeus, new source, revision, Schumann, Robert, Toccata op. 7 (Schumann), Urtext | Tagged , , , , , | Leave a comment

‘Play it again’ – is a repeat sign missing in Brahms’ Paganini Variations?

Posted on August 6, 2012 by Dominik Rahmer

Some time ago we received an interesting query from a … Continue reading →

Posted in autograph, Brahms, Johannes, first edition, Monday Postings, notation, Paganini Variations op. 35 (Brahms), piano solo | Tagged , , , , , | Leave a comment