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- “Gabriellas sång” by Brahms?
- Rachmaninoff’s Paganini Rhapsody and the treasures in the Library of Congress
- No end to Rachmaninoff in sight: several annotations to opp. 3 and 16
- Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
- On the first version of Verdi’s string quartet – interview with Anselm Gerhard
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Tag Archives: Dvorak
Dvořák’s “Gran Partita”? On the presumed model of his Wind Serenade in d minor op. 44
In my last blog post I already reported on our … Continue reading
“…probably the best of Dvořák that I’m acquainted with.” What’s worth knowing about the Wind Serenade in d minor op. 44
Even though recently the focus of attention owing to their … Continue reading
‘Finished in Vysoká at a nice little hour’– new finds in Dvořák’s A-major piano quintet op. 81
The piano quintet is, so to speak, in the “super … Continue reading
A Bohemian in America: Is Dvořák’s String Quartet in F Major wrongly accented?
Antonín Dvořák, director of the National Conservatory of Music in … Continue reading
“Smfz” – On some unconventional dynamic markings in our Urtext editions
Dynamics are in a way the salt in the musical … Continue reading
Posted in Monday Postings
Tagged Berg, Brahms, Carl Nielsen, Crusell, Dvorak, dynamics, Rachmaninoff, Zemlinsky
1 Comment
Who does the pedalling? On the use of the pedal in music for piano duets
Nowadays we automatically associate music for piano duet with the … Continue reading
Posted in autograph, first edition, Monday Postings, notation
Tagged Dvorak, notation, pedalling, piano for 4 hands
7 Comments