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Tag Archives: Viennese tuning
All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal
With our most recent Urtext edition of Johann Baptist Vanhal’s … Continue reading
Posted in articulation, copy, double bass, Double Bass Concerto (Vanhal), Monday Postings, Tobias Glöckler, Vanhal, Johann Baptist
Tagged articulation variants, Double bass, octave registers, Viennese tuning
Comments Off on All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal
The lord of the low tones – Tobias Glöckler in conversation about Dragonetti’s “Famous Solo”
The double bass entered the Henle publishers’ catalogue a few … Continue reading
Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext
Tagged Dittersdorf, Double bass, Dragonetti, Famous solo, Hoffmeister, orchestral tuning, Saint-Saëns, solo tuning, Tobias Glöckler, urtext, Viennese tuning
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